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Portable Medicine Organizer Box - 7-Day Pill Case with AM/PM Compartments for Daily Medication Storage | Perfect for Travel, Home, and Office Use
Portable Medicine Organizer Box - 7-Day Pill Case with AM/PM Compartments for Daily Medication Storage | Perfect for Travel, Home, and Office Use
Portable Medicine Organizer Box - 7-Day Pill Case with AM/PM Compartments for Daily Medication Storage | Perfect for Travel, Home, and Office Use

Portable Medicine Organizer Box - 7-Day Pill Case with AM/PM Compartments for Daily Medication Storage | Perfect for Travel, Home, and Office Use

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Description

A sonic tincture of shamanic energy, at once ecstatic and shadowy, fragile and surreal, fluid and psychedelic. Chari Chuang's wordless crystalline voice graces three songs, with traces of Persian inflection. Deep basslines hint at dub, while analog modular synth skitters and chuffs the outlines of a rhythmic grid, propelled forward by pulsing north African drums. Sustaining guitars bring a searing edge. Cello and reeds echo plaintively in the distance. Rich's sparse piano adds droplets of modal jazz to this dark tea. Haroun Serang: guitar on 1 Chari Chuang: voice on 2,6,9 Edo Castro: bass on 3,6,9 Hans Christian: cello on 3,5,7,9 Slim Heilpern: chromatic harmonica on 4 Robert Rich: synths & MOTM, flutes, steel guitars, piano, bass, percussion Recorded, mixed and mastered by Robert Rich at Soundscape, 2011. Microphones by ADK, Blue, Josephson, Royer. Custom Sustainiac lap steel guitar by Todd Plummer. Software by Camel Audio, Izotope, Flux, Audio Damage, Galbanum. Thanks to Jeff Taylor-Cross/Apple, Paul Schreiber/MOTM, Dan Brown/AudioSage, Chuck Oken/Noise Bug, +Dixie. Edo Castro appears courtesy of Passion Star Records. Cover art and design by John Bergin REVIEWS: =============================================== A beautiful poetic album... soaked by a fascinating shamanic aura. (Sylvain Lupari, GoD) Fragility, free-floating, psychedelic, shadowy and surreal. (Ulf Backstrom - Merlin Prog) Pure listening pleasure... (Archie Patterson, Eurock) =============================================== Thirty years, still going strong. Medicine Box might be Robert Rich's finest release -- no small accomplishment considering it's his 26th solo work along with 14 collaborations. The ambient maestro started out performing nine-hour 'sleep concerts' for audiences dozing in sleeping bags. Over the years he has shifted from atmospheric drones to more organically lush compositions fusing electric and acoustic instruments while dabbling in world-beat rhythmic patterns. Using alternate tunings, microtones and an array of homemade instruments, Rich's music is a far cry from new age. Medicine Box opens with warmly textured percussion, heavenly keys and acoustic guitar supporting a gorgeously crying electric guitar. The beauty of following cut 'Kaaruwana' is indescribable, with Chari Chuang's haunting wordless vocals gliding over a somber Middle Eastern-flavored soundscape. Her angelic voice graces two other selections. Rich's imaginative use of lap steel guitar on 'Callyx' is another of many high points as well as his keyboard mastery throughout. Some cuts are anchored by exotic percussion, others gently float with minimal rhythmic support. This album pleases body and soul as well as the ears. (Warren Barker, Progression Magazine) ===============================================.

Reviews

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- Verified Buyer
One of Einstein's scientific maxims was "Everything should be stated as simply as possible; and no simpler." This is a good description of Robert Rich's music, especially his latest album, Medicine Box. I have given a lot of thought to what makes Rich's music so distinctive, and so recognizable, even as he brings unexpected changes (at least in emphasis) to each new work. The phrase "Electronic haiku" comes to mind, but perhaps it short-changes Robert Rich's range. Still, I hope it suggests his intuitive mastery of the telling detail, his ability to create and select the essential rhythms and atmospheres without overdoing it. Most ambient music, whether "serious" electronic or the more mellow new age stuff, tends to fall into two categories: either (too) minimalist or (too) bombastic. Both extremes can seem affected or precious, or that the artist is trying too hard to be profound or serene, or hipply incorporate elements of world music. It is telling that Robert Rich does all these things on Medicine Box (profound, serene and utilizing multicultural variety), seemingly without much effort; something akin to the Japanese ideal for brush painting or calligraphy. Or Sufi dancing.Rich's music is undeniably spiritual--without being soupy. Several reviewers have described his flute-playing on this album as "haunting," which does not mean either horror-show disturbing (the dark end of so-called "dark ambient") or overly ethereal. It is haunting the way Indian flute music is haunting--both the South Indian and Native American kind. In fact, Rich's flute-playing (and every other instrument, for that matter) is best understood within the context of the album's title. He does want to disturb us, but in the way that a therapist or surgeon is willing to disturb us to get underneath our protective assumptions and, ultimately to free and heal us. Rich always walks a line (by no means a calculated one--simply artistic expression with integrity) seeking a balance between comfort and surprise. I think this soothing edginess is present on all of Rich's now more than two dozen albums, whichever direction they take and however much one side might be emphasized more than another. Medicine Box provides that healing balance between continuity and exploration with a grace and, well, balance that is completely satisfying and self-contained.Since other reviews have described this album's specific sounds, I won't go into such details here. Music can have a mystical effect. That does not mean there is necessarily anything mystical about its creation. As a professional writer and poet for more than 30 years I still find it hard to describe what makes one piece of writing good and another mediocre. Most people have experienced this same puzzlement of articulation about movies, for example. We know when we've seen a really good one, but if someone asks what MAKES a particular film great (or bad), we might be hard pressed to say exactly, yet we know there are definable elements to enduring art beyond individual taste. (We might say "good acting" or "a good script," but the harder question is what MAKES good acting or a good script?) Medicine Box contains those ingredients of long experience, skill, wisdom and intuition. The results are indeed magical, and rewarding to repeated listening, whether in focused meditation or just as background.